Another feature we've included for the EQ+ is that you can select a reference track and it will be shown as a purple curve inside the spectrum display. Seeing frequency settings colored predictably creates a kind of sonic muscle memory, connecting sound with visuals. Taken together, sculpting a sound is now more like drawing the spectrum than twiddling knobs.Īnd while it is a graphic equalizer, EQ+ goes a step further by applying a rainbow color spectrum to the EQ curve, which can also be seen in EQ-2 and EQ-5. Notch filters are added by dragging the lower edge of the EQ graph.Low-/high-cut filters are added by dragging the left/right edges of the EQ graph (off the curve).Low-/high-shelf filters are added by dragging the left/right edges of the EQ curve.Peak filters are added by double-clicking at the current mouse cursor position.And there are a number of mouse gestures for adding a band with a specific mode: Along with 14 filter options and up to eight bands, EQ+ also has an Adaptive-Q option to narrow the width of bands as their gain increases, in addition to global frequency Shift and Gain controls, "soloing" a band while dragging it for precise editing, and different oversampling modes. Clicking on the EQ curve adds a band that can be dragged into place. Here's the details in Bitwig's own words.ĮQ+ brings a new look and modern sound to Bitwig Studio. For the company's latest update, Bitwig Studio 3.2, they say that the focus is on greater control and sculpting possibilities for all sounds, whether coloring audio sources or reinterpreting note messages in new and adventurous ways. 2019 saw the release of Bitwig Studio 3 with The Grid modular sound-design environment, and then version 3.1, which extended the idea of pitch with a new Micro-pitch device and more.
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